Recently I read a blog written by a guy who thinks every Minnesotan hates Fargo. Speaking as someone who was born, raised, and continues to live in Minnesota, I can assure you that’s just not true.
I absolutely loved that movie. So did many of my friends.
But it got me thinking. What are Minnesota’s major contributions to 20th- and 21st-century pop culture? Now, I’m not talking about literary types like Sinclair Lewis and F. Scott Fitzgerald. I’m thinking more along the lines of the Purple Dude, Peanuts, Joel and Ethan Coen, and a Prairie Home Companion.
That’s quite a disparity, there. (Ya do know what disparity means, doncha, Scotty?) But as diverse as they are, they have one thing in common: a certain, stubborn uniqueness. Garrison Keillor and Charles Shulz don’t go for knee-slapping, hit-you-over-the-head-with-it humor. Their approach is more wistful; melancholy, even.
The Coens’ perspective is decidedly skewed. I mean, c’mon, once you’ve done a chase scene that revolves around Huggies, there’s really no going back, is there?
And Prince? He’s just out there doing his own thing, by all appearances just for the joy of doing it. I’m not sure he cares if anyone else gets it or not.
The point I’m making is this: these people are Minnesota products. Each one dances to his own drum – sometimes literally. Their work can be downright whimsical at times.
In fact, that should be our new motto. Minnesota: the Whimsy State.